It is a common warning among many that co-parenting a dog after a breakup is ill-advised. The consensus suggests such setups prevent ex-partners from finding closure, cause practical headaches, lead to tension, and prove frustrating for everyone involved. Seemingly, in a revelation fit for a direct-to-platform film, it reportedly leads to our furry friends to experience sadness.
Not to downplay the emotional well-being of dogs – many owners attest to their profound sensitivity. For a prime example in dog sorrow, simply recall another performance. There is little doubt that a dog of Merv's nature, a scruffy terrier type played by Gus the Dog, would find it difficult adapting to divided living arrangements. The idea of basing a full holiday film around this situation works effectively is a questionable prospect.A Familiar Formula
Fairness demands noting, Merv, the work of its screenwriters and under the guidance of Jessica Swale, doesn't pretend to be anything more than a light film. It functions as a Christmas movie from a streaming platform giant – the complexity are modest. The narrative proves to be straightforward: a separated couple Russ, played by Charlie Cox and Anna (Zooey Deschanel), realizing that their individual funk is matched by their dog's, decide on a uplifting getaway to a dog-friendly resort. At this location, predictably, they will undoubtedly stumble toward the idea that they belong with each other. Ensemble players – featuring a group of comedic actors – are crafted as eccentric, underutilized, or over-the-top. Visually is reminiscent of a platform's in-house production, with a Christmas setting that is clearly manufactured – think fake snow surrounding lush pines as a summer location substitutes for a wintery Boston.
Where the Film Shines
How these standard ingredients come together into an entertaining watch hinges on the execution and the viewer's appetite for comfort viewing. For the comfort factor, Merv hones in on a demographic – those people who browse regularly for pet content. The film delivers a plethora of scenes focused on the pet. The main attraction is Merv himself, and while this leads to some stilted moments between the pet's "lines" and the actors' responses, the movie succeeds in showing walking sequences, pet moping, and, finally, doggie joy.
Where It Wobbles
This level of success is not earned for the interpersonal drama. The film's approach wavers between relationship drama, wacky comedy, standard rom-com beats, and outright slapstick, failing to master a single genre. The fault lies not with Charlie Cox, who is willing to embrace the absurd and awkward required by the unusual premise. His performance contains a charming humility that provides much of the film's charm for this ostensibly perfect couple. Zooey Deschanel, as is her trademark, brings a particular brand of eccentricity that will click for some but not others. Her portrayal can feel a little too aloof, notably when paired with Cox's genuine sadness. (On another note, Gus the Dog manages looking despondent – while no Messi from that acclaimed drama, he's definitely an excellent dog.)
The story strives to give weight to the central romance for scenes without their pet – a bit of a pity, since Merv is by far the most adorable aspect of this cute-aiming movie. As one might predict, it just about gets by. The catalyst for their original breakup would feel more nuanced with more screen time and less blunt explanation. Ultimately, Merv is slight and sweet, meeting precisely what you anticipate. Making a film on this shared-custody premise has potential – even if I wouldn't call it a brilliant concept.
- Merv streams on Amazon Prime Video this December.
